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Helena Bonham Carter Info

Actress - filmography
(In Production) (2000s) (1990s) (1980s)

1. Stand by Love (2006) (pre-production)
2. Harry Potter and the Order of the Phoenix (2007) (filming) .... Bellatrix Lestrange
3. Sixty Six (2006) (completed) .... Esther Reuben
   
   
4. Magnificent 7 (2005) (TV) .... Maggi
5. Corpse Bride (2005) (voice) .... Corpse Bride
   ... aka Tim Burton's Corpse Bride (Singapore: English title) (USA: complete title)
6. Wallace & Gromit in The Curse of the Were-Rabbit (2005) (voice) .... Lady Campanula Tottington
7. Conversations with Other Women (2005) .... Woman
8. Charlie and the Chocolate Factory (2005) .... Mrs. Bucket
   ... aka Charlie and the Chocolate Factory: The IMAX Experience (USA: IMAX version)
9. Big Fish (2003) .... Jenny (Young & Senior) & The Witch
10. Henry VIII (2003) (TV) .... Anne Boleyn
11. Live from Baghdad (2002) (TV) .... Ingrid Formanek
12. Till Human Voices Wake Us (2002) .... Ruby
13. The Heart of Me (2002) .... Dinah
14. Novocaine (2001) .... Susan Ivey
15. Planet of the Apes (2001) .... Ari
16. Football (2001) (as Helena Bonham-Carter) .... Mum
17. Carnivale (2000) .... Milly
    ... aka Carnivale (France)
    
    
18. The Nearly Complete and Utter History of Everything (1999) (TV) .... Lily
19. Women Talking Dirty (1999) .... Cora
20. Fight Club (1999) .... Marla Singer
    ... aka Fight Club (Germany)
21. The Theory of Flight (1998) .... Jane Hatchard
22. The Revengers' Comedies (1998) .... Karen Knightly
    ... aka Amour, vengeance et trahison (France)
    ... aka Sweet Revenge (USA: cable TV title)
23. Merlin (1998/II) (TV) .... Morgan Le Fey
24. Keep the Aspidistra Flying (1997) .... Rosemary
    ... aka A Merry War (New Zealand: English title) (USA)
    ... aka Comstock and Rosemary
25. The Wings of the Dove (1997) .... Kate Croy
26. The Petticoat Expeditions (1997) .... Narrator
27. Portraits chinois (1996) .... Ada
    ... aka Shadow Play
28. Twelfth Night: Or What You Will (1996) .... Olivia
    ... aka Twelfth Night
29. Margaret's Museum (1995) .... Margaret MacNeil
    ... aka Musée de Margaret, Le (Canada: French title: TV title)
30. Mighty Aphrodite (1995) .... Amanda
31. Frankenstein (1994) .... Elizabeth
    ... aka Mary Shelley's Frankenstein
32. "Absolutely Fabulous"
    ... aka Ab Fab (Australia: short title)
        - Hospital (1994) TV Episode .... Dream Saffron
33. A Dark Adapted Eye (1994) (TV) .... Faith Severn (adult)
34. Butter (1994) (TV)
35. Fatal Deception: Mrs. Lee Harvey Oswald (1993) (TV) .... Marina Oswald
    ... aka Marina's Story
36. Dancing Queen (1993) (TV) (as Helena Bonham-Carter) .... Pandora/Julie
    ... aka Rik Mayall Presents Dancing Queen
37. Howards End (1992) .... Helen Schlegel
38. Where Angels Fear to Tread (1991) .... Caroline Abbott
39. "Jackanory"
        - The Way to Sattin Shore (1991) TV Episode .... Reader
40. Hamlet (1990/I) .... Ophelia
    
    
41. Getting It Right (1989) .... Lady Minerva Munday
42. Francesco (1989) .... Chiara
    ... aka Franziskus (West Germany)
    ... aka St. Francis of Assisi
43. Maschera, La (1988) .... Iris
    ... aka The Mask
44. A Hazard of Hearts (1987) (TV) .... Serena Staverley
45. Maurice (1987) (uncredited) .... Lady at Cricket Match
46. "Miami Vice"
        - Theresa (1987) TV Episode .... Theresa
        - Savage (1987) TV Episode .... Theresa
47. The Vision (1987) .... Jo Marriner
48. Lady Jane (1986) .... Lady Jane Grey
49. A Room with a View (1985) (as Helena Bonham-Carter) .... In Florence - Lucy Honeychurch, Miss Bartlett's cousin and charge
50. A Pattern of Roses (1983) (TV) .... Netty, The Past (introducing)
    
    

1. Corpse Bride (2005) (performer: "Tears to Shed")
   ... aka Tim Burton's Corpse Bride (Singapore: English title) (USA: complete title)
   
   

1. The 78th Annual Academy Awards (2006) (TV) .... Herself - Audience Member
2. "At the Movies"
       - Episode dated 17 November 2005 (2005) TV Episode .... Herself
3. "Magacine"
       - Episode dated 28 October 2005 (2005) TV Episode .... Herself
4. "The Film Programme"
   ... aka Film '72 (UK)
   ... aka Film '73 (UK: new title)
   ... aka Film '74 (UK: new title)
   ... aka Film '75 (UK: new title)
   ... aka Film '76 (UK: new title)
   ... aka Film '77 (UK: new title)
   ... aka Film '78 (UK: new title)
   ... aka Film '79 (UK: new title)
   ... aka Film '80 (UK: new title)
   ... aka Film '81 (UK: new title)
   ... aka Film '82 (UK: new title)
   ... aka Film '83 (UK: new title)
   ... aka Film '84 (UK: new title)
   ... aka Film '85 (UK: new title)
   ... aka Film '86 (UK: new title)
   ... aka Film '87 (UK: new title)
   ... aka Film '88 (UK: new title)
   ... aka Film '89 (UK: new title)
   ... aka Film '90 (UK: new title)
   ... aka Film '91 (UK: new title)
   ... aka Film '92 (UK: new title)
   ... aka Film '93 (UK: new title)
   ... aka Film '94 (UK: new title)
   ... aka Film '95 (UK: new title)
   ... aka Film '96 (UK: new title)
   ... aka Film '97 (UK: new title)
   ... aka Film '98 (UK: new title)
   ... aka Film '99 (UK: new title)
   ... aka Film 2000 (UK: new title)
   ... aka Film 2001 (UK: new title)
   ... aka Film 2002 (UK: new title)
   ... aka Film 2003 (UK: new title)
   ... aka Film 2004 (UK: new title)
   ... aka Film 2005 (UK: new title)
   ... aka Film 2006 (UK: new title)
       - Episode dated 17 October 2005 (2005) TV Episode .... Herself
5. "HBO First Look"
       - Wallace & Gromit: The Curse of the Were-Rabbit (2005) TV Episode .... Herself
       - Charlie and the Chocolate Factory (2005) TV Episode .... Herself
       - Planet of the Apes (2001) TV Episode .... Herself
6. "Corazón de..."
       - Episode dated 12 September 2005 (2005) TV Episode .... Herself
7. "Big Brother's Efourum"
   ... aka Big Brother's Big Mouth (UK: new title)
       - Episode #3.22 (2005) TV Episode .... Herself
8. Building 'Howards End' (2005) (V) .... Herself
9. "The Kumars at No. 42"
       - Episode #2.5 (2002) TV Episode .... Herself
10. The Orange British Academy Film Awards (2002) (TV) .... Herself
11. "So Graham Norton"
        - Episode #5.12 (2002) TV Episode .... Herself
12. The Making of 'Planet of the Apes' (2001) (TV) .... Herself
13. "5 News"
        - Episode dated 13 August 2001 (2001) TV Episode .... Herself
    
    
14. The 70th Annual Academy Awards (1998) (TV) .... Herself - Nominee: Best Actress in a Leading Role
15. 4th Annual Screen Actors Guild Awards (1998) (TV)
16. "Late Night with Conan O'Brien"
        - Episode dated 6 November 1997 (1997) TV Episode .... Herself
17. "The Great War and the Shaping of the 20th Century" (1996) (mini) TV Series (voice) .... Vera Brittain
    ... aka 1914-1918 (UK)
18. "The Good Sex Guide"
        - Episode #2.1 (1994) TV Episode
    
    
19. The 59th Annual Academy Awards (1987) (TV) .... Herself - Presenter: Best Documentary, Short Subjects
    
    

For a time in the late 1990s, it seemed that Helena Bonham Carter was about to deliver on her promise and begin what would be a major career as a first-rate, important actress. Audiences and critics had always known of her extraordinary look. a delicate beauty that evoked another time and another place, but her performance in "The Wings of the Dove" (1997) had shown her to be possessed of a vital acting talent as well. She won a Best Actress Oscar nomination for her work in the film, and but for her nationality (four of the five nominees hailed from outside the U.S. that year; the American won the Oscar), she might likely have joined the elite pantheon of foreign-born Academy Award winning actresses.

Born in Golders Green, London, England on May 26, 1966, Helen Bonham Carter had achieved success in films early. Before she was 20 years old, she had scored her first lead in director James Ivory's tasteful adaptation of E.M. Forster's novel "A Room With a View" (1985), only her second film. She followed up this auspicious debut as a leading player assaying the uncrowned Queen of England, "Lady Jane Grey," in the eponymous film. In the first part of her career, she became a staple in what can be seen as an annex of the British Heritage industry, starring in more tasteful adaptations of British or anglo-American novels, such as the adaptation of E.M. Forster's "Maurice" (1987), her second film for James Ivory

In hindsight, it is no coincidence that "Room," her first film under the Merchant-Ivory banner (director Ivory, producer Ismail Merchant, and screenwriter Ruth Jabha Prawler' ), proved to be the brand's big breakthrough on the big screen, ushering them into the big-time, with a good box office showing and full-blown Oscar recognition. In the two Merchant-Ivory films in which she was a major star, the brand scored their greatest success. Though it was Emma Thompson, her rival for Kenneth Branagh's affections, who won a Best Actress Oscar for "Howard's End" (1992), Bonham Carter'S presence in the film clearly was a factor in its great success. It began a three-picture run that climaxed with Merchant-Ivory's last wholly unqualified success, "Howards End" (1992)

Howards End" (1992) was the last film she made for Merchant-Ivory, and the brand's career eventually wound down without their good-luck charm, as Helena Bonham Carter was the real thing. The patrician offspring of British Prime Minister 'H.H Asquith' 's blue blood (he was her great-great-grandfather; her great-grand-uncle Anthony Asquith was a noted English director), Helena Bonham Carter possessed of an extraordinary look with her dark hair and eyes and porcelain skin, Carter was born to be part of the Merchant-Ivory stable, giving their ersatz-Englishness a certain "je ne sais quoi" that paid off in handsome dividends, rather like British gilt-edged government securities.

Ironically, it was her turn as the undisputed star of the neo-Merchant-Ivory "Wings of the Dove" that brought her her Oscar nod. She was not only beautiful, she not only could act, but she was courageous. In "Wings," she arguably had the most explicit nude scene ever to be limned by an Oscar-nominated actress, but lost out to Helen Hunt.

Alas, her subsequent career, while interesting, has failed to deliver on that promise, though she is still young and likely to astound us once again. Her choice of roles can be seen as an attempt to break out of the Merchant-Ivory cottage industry ghetto of Henry James & E.M. Forster adaptations. She was quite memorable in the neo-classic "Fight Club" and seemed to be on the verge of achieving that rare status of someone who is a star with an extraordinary look who can also act while retaining true sexpot status. (On the distaff side, the great Paul Newman comes to mind. Brando was a superstar who could act, but hardly a sexpot. Julie Christie had a chance but turned her back on stardom, while Jane Fonda came close, though her sex-kitten act was a bit forced, but finally chucked it all away after having her breasts unnecessarily augmented for Ted Turner.) Carter's output since then has evinced an erosion in her status as both star and actress, though her beauty remains undiminished.

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